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Little Town

by PaulZilla

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1.
Little Town 04:05
LITTLE TOWN Johnny greets me as I walk down the stairs And he smiles as he asks me for some change A cigarette, we joke about the mayor And we’re glad that we know each other’s names And I love this Little Town in every little way, yeah And it never let’s me down because it happens every day A woman’s yelling as I make it to the corner And she’s spitting at some yuppies walking by bye But I’m a townie now and safe from old money And I egg her on to make another try There’s a cruiser and blue lights, she exits from the stage But they’re laughing at the sight because it happens every day Well, I don’t see why we should change The good things, they never ever seem to stay the same It happens every day There’s a sharp difference on a cold night From the man on the bench to the family by their firelight Some of them they were once friends Little Town turn around, you changing once again, oh, oh, oh It happens every day It happens every day, yeah It happens every day, every day Well, I don’t see why we should change The good things, they never ever seem to stay the same It happens every day (It’s happening today)
2.
Premium 04:10
PREMIUM There is a little old lady, here comes her man They’re sitting at home now, selling me a plan One dollar pays for my Premium One dollar pays for my Premium And maybe when I die I can get my money up in the sky Build the house I always wanted on a cloud Build it on a cloud, Build it on a cloud, Build it on a cloud Don’t change the channel cuz I like that girl Hey mister, don’t kill her, there’s nothing else on I hope she paid for her Premium Hope she paid for her Premium And maybe when I die I can get my money up in the sky Build the house I always wanted on a cloud Build it on a cloud, Build it on a cloud, Build it on a cloud I’ve been watching for hours and I finally see It’s the other way around, they’re watching me Turn up the sound Jor-El, my son, by the time you hear this, I will have been dead many centuries. Please remember, son, that I love you and that where you are going is a planet where people’s powers are much lesser than yours. Please be kind to them. Don’t be a prick like you probably would have been on this planet, okay?
3.
Name Again 03:15
NAME AGAIN Going out on a Saturday night When you can be a star or get in some jerk fight You throw your dime in the wishing well You go to Heaven for free Pay by the drink in this Hell if only for tonight I want everything to stop, And Honey Please tell me your Name Again cuz I forgot We could be bangin’ on a tribal drum Or dancin’ to the rhythm in a jungle sun but We are natives of the city tonight And we’re together alone Feelin’ alright if only for tonight I want everything to stop And Honey, please tell me your Name Again cuz I forgot, I forgot. I forgot, I forgot Well Honey, Please tell me your Name Again cuz I forgot, I forgot. I forgot, I forgot Going out on a Saturday night When you can be a star or get in some jerk fight You throw your dime in the wishing well You go to Heaven for free Pay by the drink in this Hell if only for tonight I want everything to stop, yeah it’s gotta stop And Honey, please tell me your Name Again cuz I forgot, I forgot. I forgot, I forgot Well Honey, Please tell me your Name Again cuz I forgot, I forgot. I forgot, I forgot Well Honey, Please tell me your Name Again, Name Again Tell me your Name Again, Name Again
4.
Day Room 03:34
THE DAY ROOM Why don’t you just kill me now You will in the end You tell me you’re my only chance Behave and we’ll be friends In the Day Room Finger paints in leg restraints Thirty-minute walk in the hall Single-file with no complaints Just say nothing at all Don’t ask so smart, don’t act so tough Cuz it’s safer just to be crazy enough Don’t respond if they call your name Cuz the guards get nervous if you act too sane In The Day Room Day Room Jack and Jill went up the hill to fetch a pail of water In The Day Room There behind the Day Room door Wolf lies waiting for the slaughter In The Day Room Day Room
5.
Wacky Writer 03:15
WACKY WRITER He’s a writer, you know and you can tell right when you shake his hand That’s he’s getting away from the retrace somehow He’s getting out of his head somehow He’s like the Liberty Bell, he’s got a little imperfection And a hundred and nineteen rejections on file No kiss and tell for him, he’s gonna write himself a classic But then, hey, what’s to tell, ya know his life is so monastic But his soul gets twisted around the trunk of every hopeless dying tree He’ll throw his hand up in the air, singing praises to the sky And then he’ll scribble something down He’s working overtime pumping irony He’s all alone in this world but better off than you might be thinking He ain’t smoking, he ain’t drinking, not now Just getting out of his head somehow He took the road, he took the road, he took the road, he took the road He took the road less traveled by He’s like the Frosty man, he’s a ‘no regrets’ kinda guy No kiss and tell for him, that would be most unseemly Oh, maybe just one kiss, oh maybe, maybe just one dream But his soul gets twisted around the trunk of every hopeless dying tree He’ll throw his hand up in the air, singing praises to the sky And then he’ll scribble something down He’s working overtime pumping irony He’s working overtime pumping irony
6.
TREATMENT ROOM Don’t struggle, stay still, make sure he swallows that pill Get your head in the vice, don’t make me ask you twice In an effort to revive you, we really must deprive you Of a little teeny sliver of your brain Welcome to the Treatment Room Walls covered with excretement room We’ll make sure you’re totally behaved You can scream if you want to, ain’t nobody gonna hear you Might as well try to be a friend of mine and I’ll get it over in a minute’s time We’ll prod you in the belly and cover you with jelly Shock you till you look like Caesar’s Ghost Welcome to the Treatment Room Just relax, your time’s up soon Only remember what you fear the most Please don’ hurt me, please don’t hurt me, this is the only me I have You burned my head, you burned my head, Please stop! You burned my head We’ll prod you in the belly and cover you with jelly Shock you till you look like Caesar’s Ghost Welcome to the Treatment Room Just relax, your time’s up soon Only remember what you fear the most In the Treatment Room, the piece of meatment Room
7.
PARTY IN MY MIND There’s a Party in my mind every night I am having a good time at the Party in my mind And all my friends are drinkin’ free and all the girls in love with me The Party in My Mind I am walking like the blind in the day Though I try to close my eyes, these fools get in my way No matter how they hassle me, they can’t afford the entrance fee The Party in My Mind every night And you can have your party too Just bang your head against the bars and Blow like hell on your kazoo There are all these geishas dancin’ on my face Money’s fallin’ from the sky, I’m the leader of our race As I walk by the people wave, my every step a new dance craze The party in my mind every night And you can have your party too. Go ahead! Just bang your head against the bars and Blow like hell on your kazoo There’s a party in my mind There’s a party in my mind There’s a party in my mind each and every night
8.
Harry 03:46
HARRY You know, Harry only very rarely didn’t tell me the truth But you could always get an answer out of him when he’s juiced That was almost all the time then he finally lost his mind If you were him it’s the same thing that you would do Harry hung down in the cellar with the boys in the day Trading pills that they got on prescription from the V.A. By the stories they would tell, it seemed stateside was the harder hell Harry died long before they ever dug him away I thought Harry was just messin’ with my head when he said “Welcome son to the life of the living dead. Doesn’t matter if you win or you lose You make it home alive and then they tighten the screw” It’s the same damn thing again and again And just because we drink together doesn’t mean that we’re friends What Harry said, but Harry’s dead Harry used to make some extra cash getting’ hit by cars He threw himself in the road and made a quick fifty thou He bought his wife a garden hose, he blew the rest right up his nose We used to joke how that shit cost an arm and a leg I thought Harry was just messin’ with my head when he said “Welcome son to the life of the living dead.” Doesn’t matter if you win or you lose You make it home alive and then they tighten the screw It’s the same damn thing again and again And just because we drink together doesn’t mean that we’re friends What Harry said, but Harry’s dead What Harry said to me, but Harry’s dead, you see
9.
DEEP DISH PIZZA Got a woman like a Deep Dish Pizza Little bit crusty but she’s soft inside You know I aim to please her, gonna extra cheese her Gonna save her all for mine Got a woman like a Deep Dish Pizza Come in any topping I desire It’s my fantasy She delivers herself to me She’s warm and right on time Got a woman like a Deep Dish Pizza, Deep Dish Pizza Just enough grease to make it okay You know I’m gonna heat her up and I’m a gonna eat her up My Deep Dish baby Got a woman like a Deep Dish Pizza, Deep Dish Pizza Just enough grease to make it okay You know I’m gonna heat her up and I’m a gonna eat her up My Deep Dish baby Got a woman like a Deep Dish Pizza
10.
IN BETWEEN SCENE You win some you lose some and other times you draw Time in between spent sitting at the bar Nothing on the TV the bottom of another glass Just an In Between Scene, Just an In Between Scene You win some you lose some and other times you stall Time in between spent staring at the walls Taking care of little things, the telephone that never rings Just an In Between Scene, Just an In Between Scene I’m just in between, what a way to be I’m just in between, what a way to be You wouldn’t see the other side of things Now I’m just a cleaning my house Doing these stupid in between things, oh You win some, you lose some You win some, you lose some You win some, you lose some I’m just in between, what a way to be I’m just in between, what a way to be Take another look at the same old thing
11.
Man Gone, TV On Throw that diaper out the door and light a cigarette It looks like he won’t be coming home A small plane makes such a lonesome sound As afternoon goes crawling up the wall A loaf of bread, I won’t be long, Honey That method’s tried and true Alphabits and Absolut and a world awash in blue A pack of smokes, I won’t be long That method’s tried and true Alphabits and Absolut and a world awash in blue Alphabits and Absolut and a world awash in blue
12.
Fifty-Fifty 03:46
FIFTY-FIFTY Oh love. You know, I don’t even know what that is anymore. I used to think it was gonna be a ride in an open carriage with a good bottle of champagne and violins playing, but no, turned out to be a ride down to Stop and Pop a couple of times a week in my luxurious K-Car trying to find my baby something. I don’t know what it was. She didn’t know what it was. Quite frankly, I don’t think it even really existed. It was just some kind of strange test that she was putting me through and I failed. So naturally, I felt a little bad not being able to get my little princess everything she needed in the world so I went out to have a couple of drinks with a few of my friends. Somehow she found me at the bar and gave me a call and she was pretty pissed off at me and you know what I said? I said, ”Honey, I’ll take 90% of the blame and a fifth of your tequila.” You know it’s hard to actually touch each other these days with the information superhighway. We’re faxing each other, leaving each other voice mails and emails, but all I really wanna do is be with my female. My baby’s got this little beeper that she brings home from work, and puts it on vibrate, sticks it down inside of her panties and has me call her on a very, very regular basis. But the other day, I was driving down the road and I got into an accident and my cell phone went flying out of the car and I couldn’t complete the call. So, immediately I ran over to the car next to me to see if they had a phone and lo and behold, it was Dr. Ruth and she was egging me on. I’ll take 90% of the blame and a fifth of your tequila. You give a little, you get a little, you give a little, you get a little You give a little, you get a little, you give a little more and that’s all you can do is keep on giving to that woman you say that you love. Honey I don’t waste my time fighting with you about the little things. I mean, who cares about how to fold our lovely towels. And you can take my beautiful K-Car out and smash it up any time you want, man. I don’t waste my time on the little things I just want to love you. I’ll take 90% of the blame and a fifth of your tequila.
13.
NEW YORK, NEW YORK Well, she hit the room just like a bomb You know my jaw dropped like a stone I asked my friend, she looked so fine “How can I take that woman home?” He said, “She’s free. She’s out of college.” But that didn’t tell me what I need to know I had to learn the hard way She’s from New York, She’s from New York She’s from that city not by the bay She took me out for a bite to eat She trashed the waitress up and down Then we ran outside, she grabbed a cab She gave an address way up town She said, “That’s cool. We’ll get there faster.” But I sucked wind when he turned that cab around That meter flew, it was disaster Hey, but that’ New York, that’s New York That’s that burg they bought with beads So me and her, we took a trip Up to a small New England town But when we got there, she took one look She caught the same bus right back down She said, “All these trees, they make me nervous.” That pretty much told me all I need to know “My butt would freeze, can’t reach my service.” Back in New York, Back yonder in New York Down in that city not by the bay New York, New York, ooh fun town That burg they bought with beads That’s New York

about

PaulZilla was born in 1993 during late-night songwriting sessions on back porches and kitchens around Northampton, MA. Many of the songs are true stories about the people and life in our little town.

The band: Paul Shoul, Paul Hartshorne, Paul Rocha, and Drummer Tommy Borawski (aka the Zilla) recorded thirteen songs in 1995.

The songs patiently waited 20 years to be discovered again.
In 2022 we went back into the studio to finish the final tracks. Much praise is due to valley legends Jim Weeks for mixing and Pete Keppler for mastering.

credits

released September 21, 2022

Paul Shoul – harmonica, lead, and background vocals
Paul Hartshorne – electric guitar, lead and background vocals
Paul Rocha – bass, acoustic & electric guitar, keyboards, background vocals
Tommy Borawski - drums, percussion, vocals

Credits:
Matt Cullen – additional vocals on Little Town
Chris Haynes – accordion on Deep Dish Pizza

Drums engineered at Slaughterhouse Recording Studio, Amherst, MA, by Tommy Pluta.
All other engineering at Elmwood Recording Studio, Hadley, MA & Warren, RI by Paul Rocha

Drum production and restoration by Jim Weeks
Mixed at Cloud Cuckoo Land Studio, Northampton, MA, by Jim Weeks
Mastered at The Tree House, Lake Katonah, NY by Pete Keppler

Produced by Paul Rocha
2022 Cooleyville Records, Shutesbury, MA

© ⓟ All Rights Reserved 2022

Special thanks: Joe O’Rourke, Richard Cahillane, John Allen, Kathy Brown, Brian Harrington, Greg Dwinell, Donal Rooke, Marc Runkel, Tommy Pluta, Matt Cullen, Chris Haynes, Jim Weeks, Pete Keppler, The Bay State Hotel, Pearl Street, Downtown Sound, Mark Allan Miller/Slaughterhouse Recording Studio and Hampshire Piano.

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PaulZilla Northampton, Massachusetts

Paul Zilla was born in 1993 during late-night songwriting sessions on back porches and kitchens around Northampton, MA.

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